HighCastle of Geek

​A blog/journal about my life and the stuff I like. Popular subjects include music, guitars, gear, books, movies, video games, technology, humor.

Filtering by Tag: Alex Lifeson

Still Mourning

It’s several days after the news broke about Neil’s passing and I’m still having a hard time processing the loss. Tributes continue and sparse details have trickled out from friends and musicians who were aware of Neil’s diagnosis. I’m experiencing this grief in waves, similar to the loss of my parents, close family and our pets. You’ll see an image, read a passage of lyrics or prose, or hear a song and it will all come back suddenly. I’ve been reading through Ghost Rider, watched a bit of Rush In Rio, and I’ve listened to several interviews or retrospectives that have been posted online.

We will pay the price,
But we will not count the cost

I think many Rush fans are coming to terms with just how significant the band and Neil have been in their lives. This pain goes deeper than almost any I’ve ever felt. There’s just such a weight to the loss, decades of music and words. I’ve seen a few people say it was like losing their father or uncle. I think most of us felt this way. The paradox with Neil was that he was private to a fault and very uncomfortable with adulation from strangers. We all know the famous line from Limelight - “I can’t pretend a stranger is a long awaited friend”. Despite this, in his lyrics and prose, Neil was very open and descriptive about his thoughts and feelings on so many subjects. I think we all found ourselves connecting with him on each album Rush released and each book he wrote.

Neil lived a life of passion and curiosity, something for which we all should strive. He read, traveled, and just experienced more than many lifetimes worth compared to most of us. The great irony and tragedy in Neil’s life were that those who he held most dear were torn away from him suddenly and it was several years before we knew that he would make it back among us, although forever scarred by the loss. Fast forward to their last tour and Neil’s retirement, not just from Rush, but from drumming. We all lamented the end of our favorite band, but we understood and celebrated Neil’s chance to live out his autumn years and watch his daughter grow one day at a time. Sadly, it seems like it may have only been months after the final show that he was given the terminal diagnosis. It all seems so unfair, and as Neil described in “Ghost Rider”, the idea of karma tends to fall apart. What did he do to deserve this fate? Nothing, not a damn thing. The universe doesn’t care about you, it never did. Draw some joy and fulfillment from every waking moment if you can, because one day it will be over, maybe much sooner than you expect.

A caller into Eddie Trunk last night was saying he had a friend in the Rush camp and apparently Neil was in hospice as of November, although he claims he was held to complete secrecy. There’s no way to verify this, but it has the ring of truth at least. I’m not sure why, but that little bit of additional information at least gave some closure, even if it’s reliability is in question. He also said that as of Monday last week, Neil had become unresponsive and it was on Tuesday that he passed.

Eddie Trunk had briefly touched on the idea of what the future might hold. Until Neil’s death, I think most of us thought there still might be a little gas in the tank, whether a one-off performance, a new song, a book, whatever. Now we know that Rush is truly over and we have their body of work to comfort us in the years to come. Eddie talked about the possibility of a memorial show, and although I think it’s way too early, the idea does have some appeal. Something along the lines of Freddie Mercury’s Tribute Concert would be a beautiful way to celebrate Neil’s life. They could bring on any number of the scores of great musicians who cite Rush and Neil as big influences. I think we’d all love to see the likes of Mike Portnoy, Gavin Harrison, Marco Minneman, etc. get behind the kit and play one with Geddy and Alex or at least their respective bands performing a Rush tune. Dedicate the proceeds to cancer research. I also would love if Neil had written anything in those final years that we might eventually see its release, although I would totally understand if he didn’t have the will to write something or if it was kept private for those he loved dearest.

Even if nothing new comes from Rush and/or Neil in the future, I’ll forever cherish the great memories, music, and words that have brought great wisdom and provided such fulfillment all these long years. RIP Neil, I love you and I’ll miss you so much.

There have been a few pictures that made their way into social media, including these two below. The first appears to have been a get together with bandmates Geddy & Alex and producer Kevin Shirley, who brought the heavy Rush back on Counterparts. Below that is Neil with his long time drum tech, Lorne (Gump) Wheaton. It’s clear Neil had lost a lot of weight and his health was fading, but nice to see him smiling with those he loved the most. I only hope his dearest friends and family had time to say goodbye, I’m assuming the knew and did.

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Farewell, Professor

It was via a text from my old friend, Matt, that I first learned of Neil Peart’s passing. It was a gut punch out of nowhere as most of us had no idea Neil’s situation was dire, just assuming he was enjoying his life after retiring from music back in 2015 at the end of Rush’s final tour. Soon, the tributes came pouring in from far and wide, posts from professional musicians and his legions of fans worldwide. Most of us knew we had said goodbye to the band as an active entity, but I think we also expected we had many years before we would have to say a final goodbye to our heroes.

I held hope that we might get some more books and maybe even some music, even if they never toured again. Alex and Geddy’s answers to questions about the band’s future had been a bit more final sounding in recent years, but I don’t think anyone thought it meant someone had a terminal illness.

It’s still hard to process how big this loss is to me. Rush has always been my favorite band for so much more than the music. Neil, Alex, and Geddy have always represented everything I’ve held dear in life. They’re all incredible musicians, fathers, husbands, family members, friends, and citizens of the world. My world view is very close to theirs, whether we’re talking religion, politics, philosophy, work ethic, etc. I’d easily be friends with any of them if they were just regular guys from work or the neighborhood. I think most Rush fans have seen them more as family than as these lofty rock icons, which they all are.

Neil was the voice of Rush. His lyrics changed with the times and as the band grew older they morphed from the concerns of youth to those of adulthood and spanned the micro to the macrocosmic. Early forays into fantasy, science fiction and the philosophy of Ayn Rand moved on to real science, religion, history, current events, etc. and captured everything from the wide-angle lens down to the intimate and personal. If there was an issue I cared about during the last forty years, there’s a good chance that Neil and Rush wrote a song about it that evoked the essence beautifully and distilled it down to a level that portrayed the significance perfectly.

There are so many songs and verses that have stuck with me over the years. I’ve said many times that “Subdivisions” was the most specific song that directly reflected exactly what my life was about at a moment in time. None before or since have nailed it so perfectly. I’m the geeky kid walking alone on the sidewalk in the video, then and today. Neil and Rush told me it was okay to be that kid, that it was a story just as important as those popular kids riding in their open convertible laughing at us loners on the fringes.

Any escape might help to smooth
The unattractive truth
But the suburbs have no charms to soothe
The restless dreams of youth

Too many hands on my time
Too many feelings
Too many things on my mind
When I leave, I don't know
What I'm hoping to find
When I leave, I don't know
What I'm leaving behind

You know how that rabbit feels
Going under your speeding wheels
Bright images flashing by
Like windshields towards a fly
Frozen in the fatal climb
But the wheels of time
Just pass you by
Wheels can take you around
Wheels can cut you down

If we burn our wings
Flying too close to the sun
If the moment of glory
Is over before it's begun
If the dream is won
Though everything is lost
We will pay the price
But we will not count the cost

When the dust has cleared
And victory denied
A summit too lofty
River a little too wide
If we keep our pride
Though paradise is lost
We will pay the price
But we will not count the cost

And if the music stops
There's only the sound of the rain
All the hope and glory
All the sacrifice in vain
(And) If love remains
Though everything is lost
We will pay the price
But we will not count the cost

There are so many more moments of perfection in Neil, Alex and Geddy’s body of work, it’s impossible to capture succinctly. I’ll be grieving Neil’s passing for a long time coming, and I’ll be revisiting the music, videos, books, and the mountain of Rush memorabilia I have scattered around my house. I’ve lost one of my greatest heroes and there’s no replacing him.

Alex III

I got the ES-355 VOS in classic white on Friday and I've had a little bit of time to mess around with it. This is the guitar I really wanted, it's got the vibe I was going for and no major problems. There were initially some small buzzing issues, but it arrived tuned to Eb and tuning up to standard cleared up most of that. It plays great and is very acoustically resonant (not surprising given it's a semi-hollow body). I was happy to discover that the gold hardware is more faded in real life compared to its saturated look in the picture. I'm guessing they thought that was a selling point, but I prefer the faded look. 

I'm having a bit of a Rushenaissance with the new guitar. My AxeFx III has been pretty neglected since I got it a few months ago, largely due to the etflp class. I've started to get back into tweaking it with the intent of recreating some of these classic sounds. I had a set of tutorials for the AxeFx II that I never completed but now the same instructor (Cooper Carter) is releasing a new set for the Axe III. I plan on going through those once available, but I'm already starting to experiment and get the Axe III in running shape. 

Someone on the the FAS forum had posted a tutorial about getting the MFC 101 Foot Controller (designed for the AxeII, but also a fully capable MIDI controller) running with the AxeFX III so I was able to get some basic functionality including patch changes, scenes, individual FX on/off, and expression pedals. I've still got a bit of tweaking, but my first experiment is going to be trying to record a cover video of Xanadu. I've got some plans for kimono/wig silliness as well. I'm hoping I can at least play the bass part as well, although there are a few challenging runs in there that I don't have down just yet. 

I might also record a few snippets of the drum part, but make it a joke since I can't play the whole thing by any means, at least not yet. Some of those triplets are still a year or more away.